Order | Vid Title | Vidder | Fandom | Artist | Runtime | Why I chose it | link to vid |
1 | Blue Planet | cupidsbow | Blue Planet | "I Get Around" by The Beach Boys | 02:09 | This is my favourite of all the vids I've ever made. | vid on DW |
2 | Fire | cupidsbow | Enemy Mine | "Fire" by Barns Courtney | 03:25 | This vid is the culmination of many of the lessons I've learned from earlier vids, in terms of both the use of audio and the techniques and effects used to cut it together. Good job me. *pats myself on the back* :) | vid on DW |
3 | Movin' On | cupidsbow | Supernatural | "I Love Rock and Roll" by Joan Jett and The Blackhearts | 03:34 | My first significant constructed reality vid, in which I brought together canon and non-canon sources to tell a new story. This is where I learned about framrates, re-colouring, masking, and other issues/techniques related to mixing visual sources - I basically had to edit this twice to be able to render it, because I was such a n00b with framerates when I made it. It also taught me that if you can convince people of your main conceit (the red car) in the first third, you can cheat a bit later in the vid (using different models of red cars) and people will still go with it. | vid on DW |
4 | Lift | cupidsbow | Ocean's 8 | "Discotheque" by Augusto Alguero | 02:09 | I love heists, and I love the energy of this song and how well it matched the shenanigans in the movie. This big challenge with this vid was capturing eight characters in two minutes, as well as the heist. | vid on DW |
5 | Bonfire Hearts | cupidsbow | Asoka | "Bonfire Heart" by James Blunt | 01:26 | The only copy of this source I could find was a) expensive, and b) had obviously been converted poorly from one framerate to another, so it was jerky no matter how I tried to clean/fix it. I really worked hard to minimise the effect in the vid itself, and I love how this vid turned out despite the remaining flicker. | vid on DW |
6 | We Must Be Killers | cupidsbow | The Defiant Ones | "We Must be Killers" by Mikky Ekko | 02:39 | I colourised this source myself. I still can't believe I did that, or how well it turned out! There's a whole post about the colorisation process linked from the main post if you're interested in how I did it. My advice: don't try. Hahaha. | vid on DW |
7 | Almost Lover | cupidsbow | Ever After | "Almost Lover" by A Fine Frenzy | 04:27 | This wasn't a popular vid when it came out, but I've come to love it more and more over time. It's a Turn Left on the story of Cinderella, in which there is no happy ending. I love Cinderella, but the pain of this alternative ending hits me where I live, and seems to grow in effectiveness the older I get. I wish it had the same effect on others that it does on me, but I'm really glad I made it, even if it has an audience of one. | vid on DW |
8 | Gorgeous | cupidsbow | Hugh Jackman | Jaguar XJ x350 Gorgeous TV Commercial based on "Steamworks" by The Presents | 01:48 | Hugh Jackman makes me laugh, and I wanted to capture that Aussie goofiness. | vid on DW |
9 | Bury Me Deep in Love | cupidsbow | The Sapphires | "Bury Me Deep in Love" by Kylie Minogue (feat. Jimmy Little) | 03:05 | There aren't enough Indigenous stories on film, but this is a lovely movie, and I tried my best to do it justice in the vid. There are things about it I'd do differently now, but overall, I still love the obvious affection that's captured. | vid on DW |
10 | Laughing With | cupidsbow | Supernatural | “Laughing With” by Regina Spektor | 02:24 | My most ambitious one-source vid to date. It captures a lot of the things I adore about Supernatural. | vid on DW |
11 | 1941 | cupidsbow | Torchwood | "Sing, Sing, Sing" by Benny Goodman (1987 remaster) | 01:40 | One of the first vids I ever made, and one of the few from that era I still occasionally rewatch. This was made in Windows MM when it was still a non-linear editor, and I pushed my baby vidding skills and the tool as far as I could. There's also the beginnings of my love for constructed reality here, as I use outside sources from 1941. It all works surprisingly well, and there's not much I'd change. | vid on DW |
12 | Pourquoi La Lune | cupidsbow | La Voyage Dans La Lune | "Found Sounds" by Squad Car 37 Audio Productions and A Place to Be, edited and remixed by me with the Sounds of Neptune, John F. Kennedy's "Moon" speech, and excerpts of the Apollo moonshot audio recordings. | 01:06 | I wanted to make a Méliès vid, because of his works' place in SF film history, but the source itself was pretty difficult to make a whole vid out of, for reasons I discuss in more detail in the DW post. In short, the visuals are jerky and degraded, as you'd expect, and there's also some serious racism in his work too, which I hadn't realised before watching the whole sequence of The Voyage To The Moon. That's why I ended up making a more meta vid, on the relationship between technology and our dreams, and the ways in which we understand/shape the world. | vid on DW |
13 | Encore | cupidsbow | The One | "Encore" from The Grey Album by Danger Mouse | 02:07 | I made this for a vidding fest that has long since disappeared. The theme was Shades of Grey, and I wanted to make something that really foregrounded that in multiple ways. I chose remixed music - a track from The Grey Album, but also chose The One, which shows the same character on a moral spectrum across different 'verses. I love the vidding style in this - it's all sharp edges and I think it stands up well for how early in my vidding career I made it. | vid on DW |
14 | The Runner | cupidsbow | Teen Wolf | "Gravity Falls (Extended Theme Remix)" by Brad Breek & The Harlequin Hatter | 01:40 | One of the things I was fascinated by in Teen Wolf was the way Derek Hale was depicted as a survivor of the genocide being enacted by the hunters. I don't think the show really understood what they had created with his character arc, or they did, but backed away from it in later seasons. Anyway, I wanted to capture what it was like to be Derek Hale, always on the run, never able to rest, and this was the result. It uses found footage, as so many of my vids do, and I love those aspects a lot. | vid on DW |
15 | Miles to Go | cupidsbow | Vorkosigan | "Once There Was a Hushpuppy" by Benh Zeitlin | 04:15 | My ode to Lois Bujold and her Vorkosigan 'verse. I've wirtten a lot on this already in the main post and "making of" that's linked from there. It's one of my most ambitious vids, and overall I think it works well. It still gives me feels when I watch it. | vid on DW |
16 | s-Town | cupidsbow | Solo: A Star Wars Story | "Bibb County," Music From S-Town by Daniel Hart | 01:34 | I've vidded quite a few sources to instrumental tracks, and this is my most recent and favourite. I thought this character was poorly developed in the movie, and wanted to rectify that as best I could. | vid on DW |
17 | Wake | cupidsbow | Torchwood | "Juliet" by Russ Nixon, and The Tempest IV.1 read by Joseph Fiennes (from When Love Speaks) | 00:57 | The first vid I made that I truly loved. It remixed two audio tracks as well as editing visuals from several episodes of Torchwood and Doctor Who. And I did it all on a non-linear WMM editor and Audacity, which blows my mind. I still love this a lot. It gives me chills in the best way. If I were to remaster any of my early vids, it would be this one, because I'd love to make it shinier. | vid on DW |